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The Deaf May
Be Mute, Not Dumb
Abhijit Sarkar
This is a community that
remains invisible to most hearing persons. Broadly, there are two kinds
of deaf people: the pre-lingual deaf and the post lingual deaf. The former
are people who were either born deaf or lost hearing very early in their
infancy before they could acquire oral language, or simply 'language',
as the hearing understand it. The post lingual deaf are those who lose
hearing after acquiring oral language. Deaf children of hearing parents,
who are lucky to have their deafness detected early and sent to special
schools, can learn to communicate in Sign. A deaf child of deaf parents
has that very special edge which visuo-gestural baby talk gives her over
deaf infants of hearing parents. A deaf child of hearing parents is challenged
by unintended and often, unnoticed exclusion from baby talk. It is exclusion
very stark and complete; absolute if the child happens to be blind as well.
It is incorrect to think
of Sign as a gestural approximation of oral language. The inherent structure
of Sign languages affords Signers as much improvisation as the deep structure
of oral language makes improvisation part and parcel of oral or written
communication. The impression that Sign language is universal is wrong.
For instance, American Sign Language, French Sign Language, Aborigine Sign
Language and Irish Sign Language are very different from one another.
Signers, especially if they
have learned Sign as a primary language, even think and dream in Sign and
in some instances, Sign while thinking audibly or dreaming. A friend, who
lost hearing well into adulthood, told me recently that the dreams of the
post-lingual deaf are remarkably loud. This must be because the mind remembers
sounds and voices from the hearing past.
Since Signers can eavesdrop
on other Signers at a peer gathering, there are etiquettes about separate
groups avoiding listening in to conversations of others. This is the official
line. There must be some nosy parkers among Signers too. How do they pry?
Peepdrop? Of course, moral conditioning of one’s eyes to things to be averted
is routine politics of daily experience. But what, to hearing persons,
must be extra-ordinary about the cultural grounding of Signers’ eyes is
that it is sociolinguistic as well.
There is an interesting parallel
at the neurological level — or, isn’t it a convergence? — between Signing
and oral language as praxis. Just as oral language users with cerebral
impairment — for instance, lesions in the left hemisphere of the
brain following a stroke — can become victims of aphasia (loss or
impairment of speech or ability to understand language or, both), Signing
aphasia occurs in similarly afflicted Signers!
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Sign language is as self-contained
as oral communication. So much so that experts have reason to argue that
Signers and the way they go about their lives constitute a distinctive
culture. Of course, proficiency in Signing is most developed in native
Signers. There are, broadly, two categories of native Signers: the pre-lingual
deaf and the hearing children of deaf parents or parent who are lucky to
be exposed to Signing, preferably at the critical age — according to some,
between twenty-one months and thirty-six months — when the neuro-psychological
genius for acquiring language, whether oral or Sign, blooms like never
again in a person’s lifetime. Hearing signers have the benefit
of being bicultural in a way quite different than the simply hearing do.
This, of course, is to say nothing of the ability of some hearing impaired
people to fluently identify differences in scale and tone by tactile reading
of the vibrations. |
What is really interesting about
Sign language is that, in the course of communicating, it uses all four
dimensions: time and space. Linguistic language has only three dimensions
at its disposal: time and when written, plane surface, comprising length
and breadth. Signing embodies a complex interweaving of three dimensional
space, on the one hand and on the other, time, both in terms of its
passage as part of the communicational process and its denotation as a
purport of the message-content, inclusive of flashbacks and flashforwards.
In its use of space, Signing lays out a splendid repertoire combining the
actual act of seeing with zooming — both in and out — in all its filmic
richness of topographic denotation and intellectual connotation. Consequently,
experts, like the polymath psychiatrist, Oliver Sacks (in his Seeing Voices,
Picador), are of the view that Sign has facilities in terms of communicational,
conceptual and perceptual felicity which oral language lacks.
There is much more to Signing
than is dreamt of in insignate philosophy. ‘Deaf and dumb' is grossly incorrect.
‘Deaf and mute’ is a sight nearer. Somewhat.
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